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By notice, the heir to a fortune named Juan González is summoned. Three men with that name appear but only one is the one who has the right to inheritance. The boys to receive it must live with a mysterious lady and her daughter to access it.

Six teenagers witness a cosmic event that grants them special powers. With these new abilities, each one discovers the worst and the best of himself, while a journalist and a mysterious woman pursue them with unclear ends.

Bridges To Buenos Aires is the latest concert film release from The Rolling Stones’ archive. The full-length show from their five night sell-out residency at the River Plate Stadium in Argentina’s capital city has been restored in full, and features a very special guest appearance from Bob Dylan. Filmed on April 5th 1998, by this point, the band had played to over two million people on the first two legs of the tour in North America and Japan. Amongst many highlights in this show, special guest Bob Dylan joins the band onstage at River Plate for a unique performance of his classic ‘Like A Rolling Stone’. The band only played a further two dates in South America on the triumphant, year long Bridges To Babylon tour, before they headed back to North America, and Europe.

Loan shark Ginjiro meets two people from his past: Harumi, who runs a kids restaurant; and Shimamoto, a human rights lawyer who isn't what he seems.

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A making of documentary for Happy Together. Includes interviews, on-set footage, cut scenes and footage of crew members revisiting the locations where Happy Together was filmed.

A lighthouse keeper and his wife living off the coast of Western Australia raise a baby they rescue from an adrift rowboat.

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

Buenos Aires is invaded by the living-dead.